From the soundtrack to 'Un Homme Et Une Femme' ('A Man And A Woman'). I especially like the call-and-response vocal bits. I can picture myself listening to this while wearing a skivvy and enjoying a sip of cask wine, probably in the fantasy company of a girl who looks like Jane Birkin (circa 1969).
Sophisticated? Mais oui.
But, are you allowed to drink your father's Mosel? Mais non.
Supposedly Perth band Erasers have yet to play a gig. The lowkey two-piece include Shock! Horror!'s Rupert Thomas and the woman known-only as Rebecca. There's something primal about the outfit that makes them stand out above the crowd of post-punk wannabes... possibly the finest example of that, dare-we-say, UKesque early '80s scene that gave us Marine Girls and Au Pairs influence here since Jemima Jemima passed away (or split to Berlin...). Dreamy yet somehow disconcerting... maybe even scary. So before they gig they have issued an EP via the Owls label (what is with Perth and their current crop of lil bands and labels?) and it's worth more than just being fancy decoration on the end of your pencil.
While I might be a shining light of musical taste and refinement now, it wasn't always so. Growing up I would dive into my Dad's record collection and search for musical adventure. My Mum had a few 7"s, but Dad had a stack of 7"s and about 100 long players (and control over our Kriesler record player). More often than not I would walk away thinking - "why the hell did he buy THESE records?". 'Adult-contemporary', or maybe 'middle of the road' would be a good description for most of the collection.
There were no records by any black artists. The edgiest record - or at least the record with the most dangerous hair - was Rod Stewart's 1977 album 'Foot Loose & Fancy Free'. Still, my Dad had a few Bob Dylan and Johnny Cash records, and some interesting French albums, so it wasn't all bad. In retrospect maybe I was a little harsh at the time, because over the years quite a few of his records have found their way into my collection.
Straight outta Adelaide (the city of churches, red wine, HMC and nangs) we present musician, producer and DJ extra-extraordinaire Sidwho?. Sid is a member of live disco band The Swiss (their debut 12" came out in 2007) and also plays bass for Empire Of The Sun when they're on the road.
With connections to ye olde Ibiza faves Chicane ('Offshore' was remixed to death in '96), A Mountain Of One seemed an unlikely contender to lead the way in all things psychedelically disco - but here it is. AMOO is made of Leo Elstob (the Chicane connection as he was in Disco Citizens with Chicane's Nick Bracegirdle - and that name still makes me snigger), Mo Morris and Zeb Jameson (played keys with indie types Dodgy and less indie types Travis). They've been kicking around a while but new cut 'Bones' is bound to garner them even more VIP buddies than they already have (they being down with Noel Fielding and all). But it's not so much the OG version of 'Bones' that's getting the peyote juices flowing (not that it's not a half-bad shuffler itself) but rather it's the Way Of The Ancients Remix that nails the desert disco balance where America (the band) meets Italy (the country). The remix is by none other than the Rub-N-Tug expert Thomas Bullock (also of Map Of Africa notoriety). Out on the Mountain label, you can buy it at Juno, Rough Trade or anywhere else that has a 'disco/nu-disco' section for stocking such releases. A Mountain Of One - 'Bones (Thomas' Way Of The Ancients Remix)'
NY disco baron Woolfy has finally released his official debut album (he released a Woolfy Vs Projections album last year - more on the dub disco tip). And it brings together cuts that have been floating around for nearly half-a-decade. The Woolfman's name has been linked to the likes of The Glimmers and, more importantly, DJ Harvey. He's remixed the likes of The Voices and The Tough Alliance and had his edits released on comps alongside Idjut Boys and Faze Action. He's been courted by hipster brands from Modular and Plant Music to Permanent Vacation and They Shoot Homos Don't They - and his name can be traced back to releases on Guidance at the start of the decade. The album, "If You Know What's Good For Ya!!" is part-strictly-disco, part-indie-dance... depending which period it's curated from. But it's the deeply disorienting disco that he does best and his 'Odyssey' single from '07 appears here in all its sinew-y stylised cosmic glory. The rest moves through shouty digifunk and the busy Heaven 17-grooves. There's everything from knees-go-elastic rhythms to a lump-in-your-throat ballad. Out on Rong, via DFA, and Stomp in Aus.