Friday, May 8, 2009

Constanze Zikos - Death Mix

tardis style!Brand new mix from Constanze Zikos. When he's not creating, curating, or fighting the good fight... Constanze also finds time to DJ around town (at select venues, of course). Here's 30+ minutes of synth pop, electro and minimal wave.

'Death Mix' by Constanze Z (direct link)

TRACK LIST:
Michael Hutchence - 'Rooms For The Memory' (WEA Records)
D'as Hirth - 'Niente' (Not On Label)
The Human League - 'The Black Hit of Space' (Virgin)
The Klinik - 'Black Leather' (Antler-Subway)
Das Ich - 'Unschuld Erde' (Danse Macabre)
Chromagain - 'Satisfied' (Supporti Fonografici)
Abolsute Body Control - 'So Obvious' (Body Records)
Pete Shelley - '111 (extd version)' (Immaculate Records)
Eric - 'Boy or Girl' (Break Records)

You can catch CZ live and in-person every Saturday night at the Carlton Hotel, and every other Friday at the Windsor Castle (both in Melbourne).

Friday, April 24, 2009

Adam Askew - Death Mix

in your belfry!I love alot of music.

I love alot of music from New Zealand.

I love alot of music on the Flying Nun record label.

AND, of course... I love The Bats.

So... here's ten of my favourite songs from The Bats. Starting near the beginning of their recording career in the mid 1980's, and going all the way up to their latest album.

'Death Mix' by Adam Askew (direct link)

TRACK LIST:
The Bats - 'Joes Again' (Flying Nun Records)
The Bats - 'Had To Be You' (Flying Nun Records)
The Bats - 'Daddy's Highway' (Flying Nun Records)
The Bats - 'Get Fat' (Flying Nun Records)
The Bats - 'Ten To One' (Flying Nun Records)
The Bats - 'Smoking Her Wings' (Flying Nun Records)
The Bats - 'Slow Alight' (Mammoth Records)
The Bats - 'Things' (Magic Marker Records)
The Bats - 'Later On That Night' (Arch Hill)
The Bats - 'Like Water In Your Hands' (Arch Hill)

The Bats' latest album, 'The Guilty Office', is out now on New Zealand label Arch Hill (due for wider release soon). And... keep your eyes out for a brand new Songs/The Bats split 7" on Sydney label The Spring Press.

Saturday, April 11, 2009

Blancmange Back In The Kitchen

While UK '80s duo Blancmange may be best remembered as the 'zany' electro pop team behind break-out club hit 'Living On The Ceiling', pop culture vultures tend to overlook the team's darkly funky side that emitted the likes of 'God's Kitchen'. It's 27 years since they released the Happy Families album that was home to those aforementioned cuts, but they have returned with new material... and if it seems odd to say it was 'worth the wait'... well, it was. It's modern. It's still electric-ish. It's certainly less shameful than their '80s electro/dance contemporaries who hawk their arses on the retro circuit and way ahead of their non-retro-rollicking contemporaries Depeche Mode and Vince Clarke's Erasure, both who seem content rehashing sounds they settled on post-heyday.

'Drive Me' - Blancmange:

Thursday, April 2, 2009

Adam Askew - Death Mix

change! makes you wanna hustleRecorded live Friday 13th March 2009 @ 'South Side Hustle', Melbourne.

30+ minutes of ba-ba-ba-bumping disco and new wave!

'Death Mix' by Adam Askew (direct link)

TRACK LIST:
Capricorn - 'Capricorn (inst.) ' (Emergency)
Patrick Cowley - 'Mind Warp' (Megatone Records)
Den Haan - 'Night Shift' (Dissident)
The Delicate Genius - 'Mz Honda Bassline' (Hole In The Sky)
Two Tons Of Fun - 'Do You Wanna Boogie (Music Works dub)' (BBE)
Thieves Like Us - 'Fass' (Kitsune Music)
xVectors - 'Your Love' (O.S.C.a.R.R.)
The Delicate Genius - 'Up Down Turn Around' CDr
Love Supreme - 'Pork Chop Express' (Tirk)

Monday, March 23, 2009

SXSW - 5 Awesomely Random Austin Highlights

MEETING BENJY FERREE (LEFT) AND DREW MILLS (RIGHT)
SEEING PEOPLE FIND ANY SPOT THEY COULD TO APPRECIATE THE HOMOSEXUALS
HAVING MICACHU & THE SHAPES POSE FOR US AFTER A CORKER SHOWCASE THE NIGHT BEFORE (As reported on Day 3: "Cute as buttons, the playful Brit trio steal sound ideas from ‘90s dance and churn it into chirpy leftfield pop."
FINDING THE FUNK OF SAO PAULO'S GAROTAS SUECAS
HUNX & HIS STRIPTEASE AT QUEERLAND (Apologeez for the poor quality but just had to share)

Sunday, March 22, 2009

SXSW - Day 4; Couldn't Escape If I Wanted To

SHOOTING PAINS UP THE BACK
DON'T MESS WITH CRYSTAL ANTLERS
THE SOFT PACK
FINAL GLANCE AT SXSW
In the last day of SxSW musical activities it’s the final chance to catch any acts that have continually fallen off your ‘must catch’ schedule in the preceding week due to time table clashes, missed buses, sore feet, getting lost, getting too drunk, etc. It’s all about quality not quantity in these closing moments. First up it’s an in-store at Waterloo Records where NY’s The Pains Of Being Pure At Heart are earning their festival buzz reputation with an impressive set of indie-flecked nu gaze (still allowed to use that term?). Then, at the Mess With Texas massive open-to-the-public, all-ages, free party in Waterloo Park, the week’s most impressive line-up is underway. After The Bronx finish scaring the native fauna (and stirring up a swarm of wasps that has descended upon the area) two more of the fest’s buzziest bands impress. On stage, Cali lads Crystal Antlers appear far less intense than their prog-heavy recordings would lead you to expect, live their compositions breathe with soulful percussion, psych guitar and garage rock keys – appropriately, an aroma of dope drifts through the crowd on the spring breeze. And following one of the quickest change-overs ever, The Soft Pack appear. Now, this is the way to end the week. The post-mod quartet from San Diego give a nod to Husker Du and rip through a smart set of the week’s catchiest tunes, ending with what many would say could be the festival’s theme – 'Parasites'. Time to go home.

Saturday, March 21, 2009

SXSW - Day 3; Austin's All Right If You Like...

FERREE & MILLS LOOK FOR AN ESCAPE ROUTE
COULD YOU WHACK THE COOKIE MONSTER?
WHAT FELL FROM THE BAG AFTER A DAY IN THE BURBS
HUNX BEFORE THE CLOTHES CAME OFF
6TH STREET ON DAY 3
HOMOSEXUALS BASHING

As a new day dawns so does a new realisation – the best SxSW action doesn’t necessarily happen in the downtown area around the festival’s convention centre. In the centre of Austin a SxSW virgin is initially astounded to find that block after block of 6th Street is closed for the four days that music takes over the town. It is gob-smackingly amazing to see an entire city’s traffic re-routed for music fans. Pub after pub, bar after bar, venue after venue, cafe after café, empty block after empty block, street corner after street corner - every millimetre plays host to music entertainment. Then on the outskirts and in the convention centre there are bigger gigs (tonight it was Metallica… or so I’m told) and industry forums (“Catch Jarvis Cocker with a whiteboard!”). But it doesn’t end there. Start strolling away from the city centre and you discover the inner suburban streets have also given way to music: car parks, backyards, stores, church grounds and bus stops are all used to stage gigs featuring local and/or visiting talent.

It was in this spirit that today I dared to venture beyond the CBD (Central Badged District – official festival participants take out a mortgage to get a coded passport that is their entry into anything officially SxSW (those who can prove they are local are afforded the opportunity to purchase a less expensive wristband that also allows doors to open). A long wait for cabs meant sharing taxis. This lead to the first swag of the day as folk from Blackland Records got on board with us and slipped us three releases of their’s. I mention this coz they were nice enough to split the fare!

Just off Cesar Chavez I found the Okay Mountain Gallery hidden behind a piñata-bedecked frontage. Within was the man who was top of the must-see list for this trip – Benjy Ferree. His Leaving The Nest album is one of the greats. His music has brought me so much joy in recent times that I half expected him to be sixty foot tall and bringing dead kittens back to life while steering tornadoes away from towns. The Great Ferree is a mix of indie troubadour in The Apartments kinda way and classic country folk in a Hank Williams sorta style. Today, accompanied by the suave Drew Mills, he supplied a simple acoustic (in that plugged-in way) set of sweet melodies and, most importantly, whistling (like a bird… not a like a Peter, Bjorn or John – not that’s anything wrong with that kinda whistling). And, like a nerd, after the gig I cornered them, drooled on their lapels, discussed Nick Cave and forced them to look happy to be photographed with me. Next time a tornado miraculously misses your town remember to give thanks to Ferree.

Next stop: Queerland. If you are familiar with the filthy faggy antics of Oakland’s Gravy Train!!!! (if Wikipedia says their has to be four exclamation marks, who am I to argue?) then the lure of a solo project from band member Hunx is too much. Hunx & His Punx do NOT disappoint. Before the band even starts today’s set Hunx can be seen on stage applying lipstick to his band members who are also shedding street clothes for their varying degrees of showtime near-nakedness. As an audience member shrieks, “He was wearing those undies yesterday”, you pretty much can guess where this one’s going… Gay garage rock has never sounded so good. Nor has it ever been stripped, flipped and quipped so inelegantly. And where else do you get to glance away from the stage for a second only to look back and see a pair of fish-netted legs appearing where the singer’s face was just seconds ago? (If you have an answer to this question please send the address…)

And there’s only one direction to go after that. It’s off to see The Homosexuals at Ms Bea’s, found to the far east of the festival centre. This tiny bar is the real deal – nothing but beer served here and a sprawling backyard/carpark (the actual bar interior is but a speck in this space) plays host to the best party of the day. A relaxed mix of punks, students, music nerds, hipsters and creaking old men don’t give a fuck that the band schedule is way behind – unlike the military precision of the gig timetables in town. But thankfully the times are awry coz it means I get to experience the Brazilian boogie of Sao Paulo’s answer to The Rolling Stones – Garotas Suecas. It seriously seemed like the whole neighbourhood dropped in to dance – actually, what do the neighbours make of all this mayhem?

Then Britain’s original punx The Homosexuals take the floor. It begins with a sermon (no mount) about the band’s place in punk history – they were first but hold no grudges to those who walked away with the notoriety (to prove there is no malice a Sex Pistol lyric is slipped in and a Stranglers lick sneaks by later). They cum to preach love not hate. And jeez, these guys aren’t just still ripping music a new arsehole, they rip it a new vagina, a new cock hole, a new nasal cavity and a new colostomy hole! They can quote Chaucer, smash out mad beats and scream their lungs out… in the most delightful way. They are also one of most musically adept acts around - these guys jump from funky arrangements to jagged melodies as if to say, “hell, isn’t it meant to be that easy?”. At one stage their bass player swaps from drumstick to bottle to pound his instrument with while the rest of the band hover round the drum kit and somehow all seem to be swirling in frenzied circle as lips are cut, guitarists are electrocuted and bass drums are jumped on. It’s no wonder people are hanging from trees to get a view of this. Jeez this gig is fucking joyous, I hang at the party even though most of the following acts weren’t on “the list” for the day.

Only the promise of an appearance by Moistboyz (is there a theme building here?) even further into this suburban area, at the Long Branch Inn, can eventually lure me away (along with the fact that I’m pretty sure someone threw a bottle at me… a Guy Sebastian fan must have snuck in – see yesterday’s comments). So the day ends with balls-to-the-wall rock – which you expect from a band featuring Nick Oliveri, a Butthole Surfer and a Ween. Can only head even further into the burbs after that…